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With the proliferation of digital and social media, there has never been a more dynamic time to engage with marketing communications - and never has the integration of marketing communications (marcoms) principles into a strategic marketing plan been more challenging. Even the best product in the world won’t sell without the right reach to your potential customers and the right message to engage them.

This textbook applies a uniquely practical approach to the topic so that, whilst a structured overview of planning, development, implementation and evaluation of marketing communications is in place, the detailed cases made available by the Institute for Practitioners in Advertising (IPA) show how actual challenges faced by professionals in the field were addressed. This book will help you to develop the skills you need to turn theory into the right integrated communication plan, in order to succeed in an increasingly competitive environment.

Aided by a veritable wealth of pedagogical features, Marketing Communications will be essential reading for both students and professionals in marketing, communications and public relations. This textbook also benefits from a companion website which includes a comprehensive instructor’s guide with PowerPoint slides, testbank questions and answer checklists.

• Sales Rank: #10074948 in Books
• Published on: 2014-09-03
• Original language: English
• Number of items: 1
• Dimensions: 10.25" h x 7.50" w x 1.50" l, .0 pounds
• Binding: Hardcover
• 444 pages

Review

‘Marketing Communications contributes to a wider understanding of how digital and social media is now a crucial basis for any successful marketing plan. Students and industry professionals can benefit from the practical approach of the book, and it’s supporting real life industry case studies, while also facing the ethical issues that surround social media.’ - Jo Bates, Lecturer, University College Birmingham

‘This text is a truly holistic approach to marketing communications learning, with the provision of unique opportunities to implement the presented concepts and frameworks in practice.’ - Dr Natalia Yannopoulou, Senior Lecturer, Newcastle University Business School, UK

About the Author

Lynne Eagle holds a PhD from the University of Auckland in her native New Zealand. She is currently Professor of Marketing and Associate Dean - Research for the Faculty at James Cook University in Australia.

Stephan Dahl holds a PhD in Cross-Cultural Psychology (University of Luton, UK). He is currently Senior Lecturer in Marketing at Hull University Business School, UK.

Barbara Czarnecka holds a PhD in Marketing (Middlesex University, London, UK) and currently, she is Senior Lecturer of Marketing at the University of Bedfordshire, UK.

Jenny Lloyd holds a PhD from the University of the West of England, UK where she currently holds the post of Associate Head of Department for Undergraduate Marketing.

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Free Download Buildings without Architects: A Global Guide to Everyday ArchitectureBy John May

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A wonderfully informative reference on vernacular styles, from adobe pueblos and Pennsylvania barns to Mongolian yurts and Indonesian stilt houses. This small but comprehensive book documents the rich cultural past of vernacular building styles, from Irish sod houses to sub-Saharan wattle-and-daub huts and redwoods treehouses. It offers inspiration for home woodworking enthusiasts as well as architects, conservationists, and anyone interested in energy-efficient building and sustainability. The variety and ingenuity of the world’s vernacular building traditions are richly illustrated, and the materials and techniques are explored. With examples from every continent, the book documents the diverse methods people have used to create shelter from locally available natural materials, and shows the impressively handmade finished products through diagrams, cross-sections, and photographs. Unlike modern buildings that rely on industrially produced materials and specialized tools and techniques, the everyday architecture featured here represents a rapidly disappearing genre of handcrafted and beautifully composed structures that are irretrievably "of their place." These structures are the work of unsung and often anonymous builders that combine artistic beauty, practical form, and necessity.

• Amazon Sales Rank: #547831 in Books
• Brand: Rizzoli
• Published on: 2010-04-27
• Released on: 2010-04-27
• Ingredients: Example Ingredients
• Original language: English
• Number of items: 1
• Dimensions: 8.55" h x .90" w x 5.45" l, 1.14 pounds
• Binding: Hardcover
• 192 pages

Features

• Used Book in Good Condition

Review "Diligent environmentalists John May and Anthony Reid have put together a book, Buildings Without Architects: A Global Guide to Everyday Architecture, that will change the way you view the art of dwelling design. Showcasing man's capacity for creation and ingenuity, the book reminds us that human beings the world over have built homes with nothing more than their own two hands and Mother Nature's rich resources... Buildings Without Architects evokes a time before electricity and advanced technology, before modernization and beaming skyscrapers when design grew out of resourcefulness and was, in fact, truly green." ~Zink

About the Author John May is a writer and journalist based in London, England. He is the author of the official history of Greenpeace. Anthony Reid is a lecturer on vernacular environment based in London. His wide-ranging research on vernacular architecture has taken him around the world.

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Download PDF Geoffrey Hill: Essays on his Later WorkBy John Lyon, Peter McDonald

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A collection of new essays on the remarkable work produced by the poet Geoffrey Hill since the mid-1990s. Hill is widely recognised as the finest living English poet and the quality of his recent publications has been matched by the pace at which he produces quantities of profound and startlingly original verse. This book brings together work on Hill by figures as diverse as Rowan Williams and Christopher Ricks, along with penetrating treatments of these late writings by younger scholars, in order to provide a series of fresh perspectives on some of the finest and most challenging poetry now being written. It explores topics including physicality, death, confession, and recusancy, and also contains a large-scale bibliography of Hill's writings, which will be invaluable to all those seeking to read more widely in the work of this fascinating and exceptional figure.

• Sales Rank: #3957729 in Books
• Published on: 2012-09-07
• Original language: English
• Number of items: 1
• Dimensions: 5.70" h x .90" w x 8.60" l, .95 pounds
• Binding: Hardcover
• 248 pages

Review

"Including a detailed bibliography of Hill's publications, this volume contributes a valuable overview of Hill's career...Highly recommended." --Choice

About the Author

John Lyon is Reader in English Literature at the University of Bristol, and has published widely on Shakespeare and the early modern period, as well as on nineteenth- and twentieth-century fiction and poetry. He has edited works by Kipling, Henry James, and Conrad for Penguin and OUP World's Classics, and is currently editing a volume of the Edinburgh edition of R.L. Stevenson.

Peter McDonald is a poet and critic, whose Collected Poems appear from Carcanet Press in 2012. He has published four volumes of criticism, and is currently editing for Longman the Complete Poems of W.B. Yeats. Since 1999, he has been Christopher Tower Student and Tutor in Poetry in the English Language at Christ church, Oxford.

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Download PDF Mr. & Mrs. Fitzwilliam Darcy: Two Shall Become One (The Darcy Saga)By Sharon Lathan

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Sharon Lathan presents Mr. & Mrs. Fitzwilliam Darcy, A fascinating portrait of a timeless, consuming love - and the sweetest, most romantic Jane Austen sequel.

It's Darcy and Elizabeth's wedding day, and the journey is just beginning as Jane Austen's beloved Pride and Prejudice characters embark on the greatest adventure of all: marriage and a life together filled with surprising passion, tender self-discovery, and the simple joys of every day.

As their love story unfolds in this most romantic of Jane Austen sequels, Darcy and Elizabeth reveal to each other how their relationship blossomed. From misunderstanding to perfect understanding and harmony, theirs is a marriage filled with romance, sensuality, and the beauty of a deep, abiding love.

WHAT READERS ARE SAYING:

"This journey is truly amazing."

"So beautifully written... making me feel as though I was in the room with Lizzy and Darcy... and sharing in all of the touching moments between."

"What a wonderful beginning to this truly beautiful marriage."
"I love your style of writing, the vocabulary you use, and the way you describe things but still leave things to the imagination."

"Could not stop reading."

"One can visualize, quite accurately, every detail."

Celebrate the 80th birthday of Regency Romance with great books from Sourcebooks Casablanca!

• Sales Rank: #402478 in Books
• Published on: 2009-03-01
• Released on: 2009-03-01
• Original language: English
• Number of items: 1
• Dimensions: 9.00" h x .93" w x 6.48" l, 1.02 pounds
• Binding: Paperback
• 309 pages

Review
"It is a real credit to Ms. Lathan that her storytelling style is in keeping with the author of work that inspired this novel. Well done!" - Romance Reader at Heart

"This lovely novel of what comes after the end of Jane Austen's Pride and Prejudice creates a possible world at Pemberley for Darcy and Elizabeth." - Armchair Interviews

"Mr. & Mrs. Fitzwilliam Darcy is a scintillating novel that will have readers blushing right alongside Elizabeth Darcy as she and her husband embark upon the rest of their lives as a married couple. " - Savvy Verse & Wit

"If you love Elizabeth and Darcy, you won't want to miss this one." - Diary of an Eccentric

"If you love Jane Austen sequels, please pick this one up. It is quite the wonderful read." - Grace's Book Blog

"If...you enjoy detailed romance first and foremost in a book, you won't be disappointed." - Ex Libris

"Jane Austen fan or not – you're going to love this author's interpretation of life after the wedding as Darcy and Lizzy begin a honeymoon that looks to last forever. Very highly recommended reading." - CK2's Kwips & Kritiques

"If you enjoy enthusiastic romance passionately written featuring the redoubtable Mr. Darcy and his wife, then "I would by no means suspend any pleasure of yours"!" - AustenProse

"Anyone who is a fan of the movie version of 'Pride & Prejudice' starring Kiera Knightley and Matthew MacFadyen will enjoy this continuance of their love story... Well done Sharon Lathan! " - Moonlight to Twilight Blog

"[W]onderfully written and kept me enthralled until the end... Darcy emerges as wonderfully romantic husband. " - Marta's Meanderings

About the Author
Sharon Lathan is the best-selling author of The Darcy Saga sequel series to Jane Austen'sPride & Prejudice. Sharon began writing in 2006 and her first novel, Mr. and Mrs. Fitzwilliam Darcy: Two Shall Become One was published in 2009. Sharon's ninth novel - Darcy & Elizabeth: A Season of Courtship - is Book One of the Darcy Saga Prequel Duo recounting the betrothal months before the Darcy Saga began. 

Miss Darcy Falls in Love was chosen for World Book Night US 2014.

Sharon is a native Californian relocated in September 2013 to the green hills of Kentucky. She resides with her husband of thirty-years, and grown son. Currently retired from a thirty-year profession as a registered nurse in Neonatal Intensive Care, Sharon is pursuing her dream as a full-time writer.

Sharon is a member of the Jane Austen Society of North America, JASNA Louisville, the Romance Writers of America, the Beau Monde and Hearts Through History chapters of the RWA, the Louisville RWA, and serves on the board of her California RWA chapter, the Yosemite Romance Writers.

For more information about Sharon, the Regency Era, and her novels, visit her website/blog at: SharonLathan.net

Excerpt. © Reprinted by permission. All rights reserved.

Chapter One
Mr. and Mrs. Fitzwilliam Darcy

Thank goodness it is finally over, Fitzwilliam Darcy thought with a
heavy sigh.

He realized that he probably should not entertain such a thought, but it could not be helped. The past eight weeks of his engagement had held many wonderful moments and all in all had been delightful, but also exceedingly trying. Daily he wanted nothing more than to spend time with his beloved Elizabeth. However, the constant pressures of wedding plans, visits from a seemingly inexhaustible quantity of friends and family, constraints of propriety, and business interests that had taken him from Hertfordshire on several occasions all had conspired to separate him from her far too often. Add to that his own uneasiness with all the social engagements, not to mention his continued distaste for Mrs. Bennet, and the weeks had seemed interminable.

Nonetheless, he thought while gazing lovingly upon his sleeping wife… my wife!… There certainly were some marvelous times to be remembered. In truth, he and Elizabeth had managed to pass numerous satisfying hours together alone, or at least almost alone, yet it never was sufficient as far as Darcy was concerned. She had teased him on occasion for acting like a petulant child whose favorite toy had been taken away. Initially, he had been a bit offended, but then he realized she was correct and had to laugh at himself. Yet he could not deny how bereft he felt without her by his side and how he had treasured every moment that they were together, even if it was brief.

They discovered, much to their mutual joy, that the trials of the previous months, during which each had suffered tremendously, had brought them to a place of complete understanding and honesty. The conversations they now shared were open, deeply profound, intimate, and blessedly free of all artifice and misunderstanding. He had revealed himself to her as he never had to any living soul, not even to his sister or dear Cousin Richard. She had done the same.

They had strived to learn as much as possible about each other. The resulting adoration and respect had only grown deeper with each passing day. And all this before they were married! Now they were truly husband and wife, and Darcy could only imagine their love and communion growing stronger.

He rested his head back against the rocking carriage wall, tightened his arm around Elizabeth, and closed his eyes as his thoughts continued to drift. The ceremony itself had been lovely. The women had triumphed in every aspect of the arrangements. Frankly, Darcy could not have cared less about the decorations as long as his precious Elizabeth became his wife. However, he understood the importance of these things to the ladies and had to admit that the Meryton church and the reception hall at Netherfield were stupendously adorned with flowers in profusion, ribbons and bows, candles and more.

Darcy merely gave it all a cursory glance, eyes riveted to the door. Once Elizabeth entered on the arm of her proud father, Darcy saw or heard very little else. She simply stole away his breath and all conscious thought! How he managed to recite his vows was a mystery. Elizabeth was wearing a simple but lovely white gown of silk with lace along the edges and a golden sash. She had styled her hair in an elaborate design of curls and braids with thin gold ribbon and buds of baby's breath and lavender intertwined. She wore the strand of sapphires he had given her as an engagement gift around her slender neck. Her fine eyes sparkled, her cheeks were rosy, and that special smile only for him highlighted her luscious lips. It was a picture imprinted on his mind's eye and would remain there flawlessly rendered for all of his life.

The lovely and ancient church in Meryton, where the Bennet family had worshipped for years, was perfectly suited for the ceremony. In truth, Darcy had always imagined marrying in the chapel at Pemberley and was mildly saddened initially at the natural choice to marry where both Bennet daughters had grown up. However, he quickly recognized the logic to the decision and realized that he honestly did not care as long as they were married with the sanction of the Church, religion being a vital part of his life.

The elderly vicar performed the traditional ceremony impeccably, his strong voice reciting the vows and quoting Holy Scripture with firm conviction. When Darcy slipped the slim, etched-in-jewels gold band onto Elizabeth's finger, nestling it alongside the sapphire and diamond engagement ring that had been his mother's, it was far and away the most profoundly moving moment in his life.

Elizabeth stirred slightly and he pressed her closer to his side, kissing her gently on the top of her head. He pulled the blanket further over her body and tucked it in. Once he was sure she still slept, he rested his cheek on her head and went back to his daydreams.

The reception at Netherfield was joyous, filled with all of their respective friends and relatives. The food was superb, the musicians exceptional, and the wine of the best vintage. Darcy had an extremely difficult time tearing his eyes away from his bride, but he did manage to congratulate Charles and Jane on their nuptials as well, realizing with a start that Jane looked quite beautiful herself. He was embarrassed to admit that he had not even noticed her presence at the church's altar alongside Elizabeth!

He and Lizzy had previously agreed that they would make their escape as soon as good manners would allow. Darcy had secured lodging at the White Stag Inn near Bedford. He had discovered this superb establishment years earlier while still at Cambridge. Located only a few miles off the main thoroughfare to London—on the turnpike to Cambridge, in fact—it was secluded enough to fulfill his preference for quiet while traveling, but also popular enough as a halting place for those journeying to Newmarket for the races, or on to Suffolk for the sea, so that it was well maintained.

It was also the perfect resting point for the two-day ride between London and Pemberley, a trek he had completed more times that he could remember. He had stayed at the White Stag so frequently over the years that the owners, a pleasant couple named Hamilton, knew him well. They had been ecstatic at the idea of hosting him and his new bride for the initial days of their married life.

All arrangements had been made in advance and, to ensure their privacy, he had rented out the entire second story. Luckily, the late time of year meant the road would be lightly traveled, with hired coaches rarely passing and passengers minimal. Even the pub would see few customers, although it would not matter greatly, as their suite was to the rear of the sturdy red-brick building and well away from the public rooms.

Their luggage had been sent ahead earlier in the day, so all would be ready upon their arrival. Darcy was breathless in anticipation of this night! Not just for the obvious reasons of their promised intimacy and consummation of their marriage, but for the peace and relief from the hustle and bustle of the past two months. Just to be alone with his beloved! Never in his life had any evening been so tremendously and lovingly contemplated.

The carriage pulled off the main road, and Darcy knew they were close to their destination. "Elizabeth," he whispered softly, "wake up, my love; we are almost there."

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Review

"Some books are so famous they need no introduction. But have you ever read Yashar Kemal? His first novel, Memed, My Hawk (NYRB Classics), set in the south-east of Turkey and about a young man at war with feudal authority, was published in the 1950s and brought him international fame. It is still greatly loved in Turkey, and with good reason." --The Guardian“Yashar Kemal is one of those writers who is content with the patch of earth allotted by birth. As in the case of Faulkner, Akhmatova, or even Joyce, all the events described circle around the site of an early injury. These writers evoke landscapes containing people who, however lost they may be in their marginal existences, fix their gaze upon the center of the world and take up residence there. [Kemal is driven to] write against the age and to tell those stories that have not been elevated to the status of affairs of state because they deal with people who never sat on high, who did not dominate but rather were themselves dominated.”—Günter Grass “Yashar Kemal is a thousand kilometres tall and can make a story of two stones tender and spellbinding. A master.”—John Berger “A beautiful and passionate book . . . in the tradition which gave us Dr Zhivago and The Leopard.” —Glasgow Herald “A tale that assumes epic proportions and gathers speed to rush to a spectacular climax.” -- Daily Telegraph "A beautiful novel in the old, glorious tradition of heroic storytelling." —Scotsman "Follows in that tradition of strong, simple novels about the life of the peasantry. It has that insider's feeling for man, the oppressed, labouring animal . . . you might find in Tolstoy, Hardy or Silone. The author never loses his freshness, an ability to pick on details as though seen for the first time." —Guardian "Yashar Kemal achieves the Russian quality — an intimacy of detail which makes his etching indelible, more selected, and therefore more obvious than life . . . The book is a small, sharp, moving epic of the Turkish soil." —Sunday Telegraph "A masterpiece." —Robert Carver, New Statesman “A remarkable novel, reminiscent of Hardy in its power and scope.” —Queen “The sense of heroism, the animal tenderness, the marvelous feeling for the land, and the intuitive narrative rythm give the book raw vitality and pure immediacy.” -- Saturday Review “Exciting, rushing, lyrical, a complete and subtle emotional experience.” -- The Chicago Sun-Times “A folk hero worthy to rank with Robin Hood.” -- The New York Times “Here again is that directness and that fierce poetry which one knew in the old heroic stories, and a hero in whom one can have such faith and trust that one can bear to read his torments knowing that he is strong enough to endure them. It is a beautiful and passionate book. It has been ably translated, and it is well in the Harvill tradition which gave us Dr Zhivago and The Leopard.” --- Glasgow Herald

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From the Back Cover

"Yashar Kemal is one of those writers who is content with the patch of earth allotted by birth. As in the case of Faulkner, Akhmatova, or even Joyce, all the events described circle around the site of an early injury. These writers evoke landscapes containing people who, however lost they may be in their marginal existences, fix their gaze upon the center of the world and take up residence there. [Kemal is driven to] write against the age and to tell those stories that have not been elevated to the status of affairs of state because they deal with people who never sat on high, who did not dominate but rather were themselves dominated." —Günter Grass

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Product details

Series: Memed

Paperback: 392 pages

Publisher: NYRB Classics (April 10, 2005)

Language: English

ISBN-10: 159017139X

ISBN-13: 978-1590171394

Product Dimensions:

5.2 x 0.8 x 8 inches

Shipping Weight: 13.6 ounces (View shipping rates and policies)

Average Customer Review:

4.3 out of 5 stars

38 customer reviews

Amazon Best Sellers Rank:

#627,685 in Books (See Top 100 in Books)

Today, cosmopolitan Istanbul novelists Orhan Pamuk and Elif Shafak dominate the attention of those seeking out Turkish fiction in translation. But, fifty-odd years ago, Memed My Hawk (Ince Memed, or "Slim" M as Édouard Roditi translated the hero's nickname) was the book.I turned to this after Pamuk and some histories of the new nation, and this takes place in an indeterminate time after the Republic has opened up tensions, for the feudal lords fear modern, popular discontent. While Yashar Kamal was of Kurdish origin, he only mentions his native affiliation once, when a Turk boasts of putting down the Kurdish uprising. Instead, he channels a pro-peasant message into this action-packed novel.It reminded me of what I might have found as a teenager, and it would appeal to a genre-fiction audience, rather than an elevated literary one.Despite the Robin Hood pattern, as young Memed revenges himself and his family against the cruel local warlord and his minions, there is nuance. A key character is torn between serving his lord and sympathizing with the brigand, and this does enrich his portrayal. Mostly, it's good and bad, with not as much grey. The peasants, all the same, cheer on whatever side is winning, but they seem a loutish lot despite the author's bias. This tends to weigh down the novel. For all the relentless harshness and fragile beauty of the Anatolian corner he describes vividly, many people in this novel do not advance much in terms of depth or appeal. They stand more, as in proletarian fiction, as representatives of positions.I did chuckle morosely at one passage (p. 331 in my older ed.) After the police manhandle suspects, those people in turn take their humiliation out on others in the village. Then, the villagers beat each other up. This seems a parable that outlasts the changing Turkey after this rousing saga. While not subtle, it should retain the interest of the reader. Roditi's translation (his father was a Sephardic Jew from Istanbul) is slightly dated, but it does convey the vigor I assume survives from the original text, as often Turkish is not easily rendered in our very different English.

I read this book because I saw in the cover (Spanish edition) the UNESCO logo. A novel endorsed by UNESCO? It couldn't be bad. Well, it turned out to be great.This is the story of Memed, an 11- year old kid who lives with his mother in a small Turkish village. Tired of hardship and hard work, he decides to leave his impoverished home. He escapes and is taken in by an old, good-hearted peasant. His mother believes he is dead, and looks for him for several days until she finally gives up hope.But Memed starts feeling homesick, so he decides to go back home. Bad call. The local landowner, a ruthless man, hears that Memed is alive and sets off to recover the child, a part of his labor force. And this is only the beginning...This is a great book by a great author. If you' ve had the luck to arrive to this page and read the reviews, go and get a copy of this book. A fascinating story awaits you.

This book is certainly an exhilarating page-turner! But not merely this: Lush descriptions of the Turkish countryside as it existed at the time, a cast of characters Tolstoyan in their sweep, and, above all, an epic story of a downtrodden hero---In short, the book is a Romance. It is not, though, the simple-minded, pat story that one sometimes associates with this term. It is a Romance in the sense that War and Peace and Don Quixote are Romances. The author goes to some pains in the introduction to explain why he has written this sort of book, instead of something dry and dispiriting as many of the works of, say, V. S .Naipaul are. If I could sum up these arguments, it would be that such a work as Memed, My Hawk touches on what is written in every human heart. And it does. It is ribald, comic, sad, distressing, heartbreaking---all the emotions, which, blended together, make up a human life. It is also, of course, more specifically, about a particular human named Memed, who embodies these traits in an heroic fashion. - I don't think that it belittles this book a jot to compare it to the movie Braveheart. I found myself reminded of this cinematic work more than anything else throughout the book---There are so many thematic and plot similarities. Let's put it this way, if you love Braveheart, you will love this book. But also, if you love War and Peace or Don Quixote, you will love this book. And I say, good and well, let's have the old pathos and lyricism back that made literature what it is. Let's not leave it to the dry hacks who warn us, like so many bloodless Jeremiahs, of the perils of following our hearts. Let's let literature be literature! ---But never mind me. Let's let Kemal have the last word:"No matter how limited a man's field of vision, his imagination knows no bounds. A man who has never been outside his village of Deyirmenoluk can still create a whole imaginary world that can reach as far as the stars. Without travelling, a man can penetrate to the other end of the world. Even without much imagination the place where he dwells can become different in his dreams, a true paradise." P.77So, go. Read and Dream!

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Download PDF International Relations: The BasicsBy Peter Sutch, Juanita Elias

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International Relations is a concise and accessible introduction for students new to international relations and for the general reader. It offers the most up-to-date guide to the major issues and areas of debate and:

• explains key issues including humanitarian intervention and economic justice
• features illustrative and familiar case studies from around the world
• examines topical debates on globalization and terrorism
• provides an overview of the discipline to situate the new reader at the heart of the study of global politics

Covering all the basics and more, this is the ideal book for anyone who wants to understand contemporary international relations.

• Sales Rank: #712883 in Books
• Published on: 2007-07-12
• Released on: 2007-05-24
• Original language: English
• Number of items: 1
• Dimensions: 7.80" h x .51" w x 5.08" l, .54 pounds
• Binding: Paperback
• 224 pages

Review

Here’s a student’s trusted companion for the introductory course. IR: The Basics lays out in accessible and inviting fashion key concepts, methods, values and choices that face each newcomer to this vital field of enquiry. – Jan Aart Scholte, University of Warwick, UK

The authors of this book have adeptly infused empirical evidence with conceptual clarity. It is subtly perceptive in its judgments, and provides an invaluable introduction to the understanding of international relations. – David Boucher, Professor of Political Theory, Cardiff University, and Adjunct Professor of International Relations, University of the Sunshine Coast, Australia

About the Author

Peter Sutch is currently head of the Politics Department and Senior Lecturer in Political Thought and International Relations at Cardiff University. His current research is on international law and international justice.

Juanita Elias is Senior Lecturer in International Politics at the University of Adelaide, Australia. Her research interests include gender perspectives in international political economy, the politics of corporate social responsibility and the political economy of Malaysia and South East Asia.

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In Accidental India: A History of the Nation s Passage through Crisis and Change, noted journalist-analyst, Shankkar Aiyar, examines India s ascent through the paradigm of seven game changers: the economic liberalization of 1991, the Green Revolution of the sixties, the nationalization of banks in 1969, Operation Flood in the seventies, the mid-day meal scheme of 1982, the software revolution of the nineties, and the passing of the Right to Information Act in 2005. He argues that these turning points in the country s history were not the result of foresight or careful planning but were rather the accidental consequences of major crises that had to be resolved at any cost.

• Sales Rank: #4525726 in Books
• Published on: 2013-01-17
• Original language: English
• Dimensions: .0" h x .0" w x .0" l, 1.41 pounds
• Binding: Hardcover
• 352 pages

About the Author
Journalist-analyst Shankkar Aiyar scooped the news of India pledging its gold reserves to the Bank of England during its worst economic crisis since Independence. His expose of the hush-hush operation brought home to Indians, and the world, the magnitude of India s woes. He has broken numerous front-page news reports and written over a hundred magazine cover stories. An award-winning journalist and columnist, he specializes in the interface of politics and economics. He majored in economics from Bombay University and has been a Wolfson Chevening Fellow at Cambridge University where he studied the lifecycles of emerging economies.

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